The Signs of the Method of Stanislavski's Physical Actions in the Contemporary Scenic Environment

Abstract

This article has focused on clarifying the concepts of system, method and technique developed around Konstantin Stanislavski and how he used them to throughout its trajectory. At the same time, it is highlighted the validity of one of these methods in the current stage and the signs that are revealed in it. Although Stanislavski explained with some clarity his continuous research and that his compilers nearby did not show divergences among them, when transcribing his terminology and his procedures, there has been a terminological inconsistency on the part of his indirect compilers. Basic research was carried out based on a precise theoretical framework that clarified what is system, method and technique focused on the theatrical area in order to formulate defined concepts. And an explanatory-descriptive method was applied to expose the change of the Memory Method of Emotions to the Physical Actions Method, both created by Stanislavski, without losing a system as a unifying framework, and also to detail the characteristic signs that have identified the second method. To achieve this, a documentary technique was used since the basis was the analysis of relevant documentary materials. The Stanislavski System Physical Actions Method is current and necessary since it leads the actor to pay attention to the physical actions and the inner force that provokes them; to define what the actor would do in real life if you were in that situation and in the condition of the interpreted character, and to build not only a psycho-technical method of creating the character's life, but a complete method that understands, reflects, analyzes and responds to different areas of the creation of a character through precise and clear signs.